Touch of the Tar Brush
Touch of the Tar Brush

Bideford Black ink and tarbrush on paper, [65x50cm] 2017

Equipoise ii
Equipoise ii

[40x60] carbon, gesso, red ochre on wood panel 2016

String Theory
String Theory

Automatic Drawing [59x42cm] Bideford black pigment ink on paper 2015

Taken
Taken

[44cmx28cm] charcoal and nail on gessoed panel, 2015

Erased Enzo
Erased Enzo

41x45cm pigment ink on gessoed panel, 2015

The Inheritors
The Inheritors

Excavation drawing [57x41cm] 2013  carbons, iron oxides, Bideford black and other earth pigments collected in North Devon. Scratched, torn, rubbed and layered the image is pulled through from the black ground. The surface protected or damaged in an interplay between the material and action.

Camus's Cave 
Camus's Cave 

[60x42cm]  2013  Bideford black, iron oxides and other earth pigments collected in North Devon. Scratched, torn, rubbed and layered; the image is pulled through from the black ground. The surface protected or damaged in an interplay between the material and action.

In Place of Memory
In Place of Memory

Excavation Drawing [59x84cm]  2013 carbons, iron oxides, Bideford black and other earth pigments collected in North Devon. Scratched, torn, rubbed and layered the image is pulled through from the black ground. The surface protected or damaged in an interplay between the material and action.

Studio
Studio

Memory Drawing, oil stick on newsheet, 

Before and After the Photograph 1
Before and After the Photograph 1

Memory Drawing_Before and After the Photograph 1, charcoal on new sheet,

Before and After the Photograph
Before and After the Photograph

Memory Drawing_Before and After the Photograph 2, charcoal on new sheet, 

Echo
Echo

carbon, sanguine, gouache and traces [60x42cm] 2013

Portrait Project I,
Portrait Project I,

carbon powder on paper [21x29cm] 2013

Outside-Inside my Head
Outside-Inside my Head

[60x84cm] blind drawing, charcoal on paper, 2013

Life Study (Six of Us)
Life Study (Six of Us)

compressed carbon on paper, 2013

Time Lapse Drawing (Dance Performance)
Time Lapse Drawing (Dance Performance)
Studio Table biro carbon graphite frottage on paper, [84x60cm] 2013
Studio Table biro carbon graphite frottage on paper, [84x60cm] 2013
Distraction, charcoal, human hair, collage.
Distraction, charcoal, human hair, collage.
How do you Distinguish Between Real Pleasure and Mere Diversion
How do you Distinguish Between Real Pleasure and Mere Diversion

Billboard Mailart Art_How do you distinguish between real pleasure and mere diversion 25xA4 [105x150cm] 

Touch of the Tar Brush
Equipoise ii
String Theory
Taken
Erased Enzo
The Inheritors
Camus's Cave 
In Place of Memory
Studio
Before and After the Photograph 1
Before and After the Photograph
Echo
Portrait Project I,
Outside-Inside my Head
Life Study (Six of Us)
Time Lapse Drawing (Dance Performance)
Studio Table biro carbon graphite frottage on paper, [84x60cm] 2013
Distraction, charcoal, human hair, collage.
How do you Distinguish Between Real Pleasure and Mere Diversion
Touch of the Tar Brush

Bideford Black ink and tarbrush on paper, [65x50cm] 2017

Equipoise ii

[40x60] carbon, gesso, red ochre on wood panel 2016

String Theory

Automatic Drawing [59x42cm] Bideford black pigment ink on paper 2015

Taken

[44cmx28cm] charcoal and nail on gessoed panel, 2015

Erased Enzo

41x45cm pigment ink on gessoed panel, 2015

The Inheritors

Excavation drawing [57x41cm] 2013  carbons, iron oxides, Bideford black and other earth pigments collected in North Devon. Scratched, torn, rubbed and layered the image is pulled through from the black ground. The surface protected or damaged in an interplay between the material and action.

Camus's Cave 

[60x42cm]  2013  Bideford black, iron oxides and other earth pigments collected in North Devon. Scratched, torn, rubbed and layered; the image is pulled through from the black ground. The surface protected or damaged in an interplay between the material and action.

In Place of Memory

Excavation Drawing [59x84cm]  2013 carbons, iron oxides, Bideford black and other earth pigments collected in North Devon. Scratched, torn, rubbed and layered the image is pulled through from the black ground. The surface protected or damaged in an interplay between the material and action.

Studio

Memory Drawing, oil stick on newsheet, 

Before and After the Photograph 1

Memory Drawing_Before and After the Photograph 1, charcoal on new sheet,

Before and After the Photograph

Memory Drawing_Before and After the Photograph 2, charcoal on new sheet, 

Echo

carbon, sanguine, gouache and traces [60x42cm] 2013

Portrait Project I,

carbon powder on paper [21x29cm] 2013

Outside-Inside my Head

[60x84cm] blind drawing, charcoal on paper, 2013

Life Study (Six of Us)

compressed carbon on paper, 2013

Time Lapse Drawing (Dance Performance)
Studio Table biro carbon graphite frottage on paper, [84x60cm] 2013
Distraction, charcoal, human hair, collage.
How do you Distinguish Between Real Pleasure and Mere Diversion

Billboard Mailart Art_How do you distinguish between real pleasure and mere diversion 25xA4 [105x150cm] 

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