Nail House Series

The Nail House Series spans found photographic images, through drawing, then painting and into sculpture. Tangible symbols referencing built structures mirror the nails that stick out and then expand into unknown territories; abstractions based on changing realities. Illusionary spaces of discovery within painting itself.

 
Nail Houses : Divergent Realities (square) II

Nail House New Paintings : Divergent Realities

The most recent paintings in the series diverge from the photographic references of real places and built structures.


 

Nail House Book

Written from the artists perspective, this publication pieces together the research and ideas that underpin an ongoing series of art works and investigations into nail houses (buildings from which the individual or group refuse to be moved) and the broader socio-political contexts in which they and we exist.

Microedition, rizographic artzine: 1st Edition 30, [180x140mm] 70 pages. Riso printed in 2 colours (yellow and black), cover Gmund Bier Bock single colour printed front, hand folded, hand stitched. 2nd Edition same with hand-painted cover. ed 20

Published Laura Hudson, September 2018, Flypaper Inc. London

Layout and riso printing by Elliott Denny.

Book £20. Book with an A5 risographic art print £35

 
Nail House : All Sides Being Equal, oil Sketches on 220gm paper [29x29cm] 2018

Nail House Series : Sketches on paper

Working through ideas on paper loosens up, speeds up, pushes to the side any restrictions based on preciousness or material costs.

There is a freedom to working quickly and with limited means. Just 3 tubes of paint : Titanium White, Ivory Back and Cadmium yellow.

 
Nail House Grid II - Laura Hudson – Version 2

Nail House Paintings

The Nail Houses are an ongoing series inspired by architectural holdouts and their photographic records circulated on the internet. Mediated through drawings that become reference points for paintings, a paired-down pallet of black, white and cadmium yellow transforms these homes under siege into moated castles, hilltop citadels or towering blocks. Situated between presence and absence, they are of no place and every place and that’s the point. These small almost recognisable things might be picked up in the hand or tower overhead, unanchored, nothing is clear-cut on contested land. As paintings they too are stubborn nails, tip-toeing on unknown territories of power, haptic interventions against erasures on digital platforms or city streets, they manifest a slow archival resistance.

 
Nailhouse drawing March 4 2018

Nail House Drawings

Referring to real architectural holdouts, where people refuse to make way for the demolition of their homes, these drawings mediate between the photographic records circulating the internet and an ongoing series of paintings. Giving form to the ‘nails that stick out’ is an act of slow archival resistance, a haptic intervention against erasures on digital platforms or city streets. The drawings have to be barely there, a conjuring line on the cusp of one thing or another, a universal something that stands in for something else; they are no place and every place on contested ground.

A grid of 9 of these drawings won the Student Award at the Trinity Buoy Wharf (formerly Jerwood) Drawing Prize 2018.